Catalogue d'Oiseaux, Audio-CD

Catalogue d'Oiseaux, Audio-CD

Preis
Normaler Preis CHF 125.00
Normaler Preis CHF 199.00 Sonderpreis CHF 125.00
CHF 74 günstiger
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Marke: Aimard,Pierre-Laurent

Variante: Audio-CD

Eigenschaften:

PRODUKTBESCHREIBUNGEN KURZBESCHREIBUNG Renowned French pianist Pierre-Laurent Aimard kicks off his exclusive engagement to PENTATONE with a recording of Olivier Messiaen's Catalogue d'Oiseaux (1956-1958). The pianist had intimate ties to the composer himself and his wife, Yvonne Loriod, for whom Messiaen wrote the Catalogue. Praised by The Guardian as "one of the best Messiaen interpreters around," this is Aimard's first recording of Messiaen's most extensive, demanding and colourful piano composition. The luxurious release set contains an accompanying bonus film, on which Aimard shares his vast knowledge of and love for Messiaen's work from behind the piano. Due to it's radical naturalism, the Catalogue d'Oiseaux is exceptional within the repertoire for solo piano. It is the grand hymn to nature from a man who never ceased to marvel at the stupefying beauty of landscapes or the magic of bird song. With his Catalogue, Messiaen tried - in his own words - "to render exactly the typical birdsong of a region, surrounded by it's neighbours from the same habitat, as well as the form of song at different hours of the day and night," suggesting an almost scientific approach to his subjects. The idea of 'reproduction' may have been central to Messiaen's conception of the Catalogue d'Oiseaux, but in the finished work we hear a great composer at work, a master of innovative structures who finds an astonishing range of piano sonorities. In a world that is increasingly being destructed by man, Aimard views this cycle as "a musical refuge that resonates with an audience ever more concerned, expanded and affected." REZENSION These three discs (and bonus DVD) embody one of music's most extraordinary undertakings. Messiaen sought not only to transcribe birdsong with ornithological accuracy, but to make each representation a tone poem evoking related birds and their habitat itself. He all but reinvents music to do this, reconfiguring its elements with devastating freshness. The Blue Rock Thrush is discovered to sing like Balinese gamelan. The Reed Warbler goes on for 32 minutes. The 13 pieces could hardly be realised better than by Aimard. --The Sunday Times


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